Johnson of London The Light in the Room






THE LIGHT IN THE ROOM

(Boswell enters, hurrying.). 

BOSWELL Ah, I am not as young as I once was.  Reynolds and Burke have written to me.  They said he was very ill.  I have come from Edinburgh as quickly as I could.  Now wait a moment.  I have come along Fleet Street, turned off and here it is. (He looks up at Johnson’s house.)  He has always lived within a stone’s throw of Fleet Street. 
No things may not be so bad.  He has always got over it before.

(Enter Sir Joshua Reynolds coming from Johnson’s house. He is walking slowly, head down, and passes Boswell without noticing him.  Boswell turns and calls out.)

BOSWELL Sir Joshua!

REYNOLDS        Boswell?  Is it you?

BOSWELL I am going to Johnson’s.

REYNOLDS        Take your time then, Boswell.  There is no need to hurry any more.  Johnson is dead.

(Boswell says nothing.  He sits down on the pavement.)

What, James Boswell at a loss for words!  Yes, even when you are expecting it, it is still just as much of a shock, isn’t it!  I have noticed that before.  You can never be prepared.  Never.  I’ll go back to the house with you.  Get up, Sir!  We’ll go back together.

BOSWELL No.  Just give me a moment.  I’ll just walk up and down the street.  Yes, yes, go back to the house, Sir Joshua, and I will be with you soon.  I will be with you soon.

REYNOLDS        I’ll just leave you on your own for the moment.   

(Reynolds leaves.  Boswell looks up at Johnson’s window.)

That is his window.  The light is still burning.  His light.  It is still his light.  His work is done.

‘Time, which puts an end to all human pleasures and sorrows, has likewise concluded the labour of Samuel Johnson.’

His work is done and how well has he done it!  In spite of all the odds!  That’s the point. In spite of the odds staked against him!  He managed to make a living from literature, and literature is the meanest and most tight-fisted employer in London.  He was ill and asthmatic, but he carried on.  His mind played tricks on him but he carried on. When you cannot trust the logic of your own mind, where are you?  I don’t think his religion helped him either.  Too often it was conscience not cheerfulness.  ‘You must do this!’  But he did not give up.  I should have given up.  I should probably have thrown myself into The Thames.

(He looks at the light in Johnson’s room.)

It is hard to assimilate, hard to take in. It’s like that with some people, you know.  He was so vital that it’s impossible to believe that he is not still there, shuffling round the dining room, arguing with us all and correcting us and drinking tea. Such people are so necessary that we feel we are the losers by our staying here.  With him gone it is almost preferable to be there than here. 

Well, he wouldn’t be thinking like this.  ‘Bozzy, don’t be morbid,’ he would say.  ‘Get on, man.  You have got the rest of the day to fill with activity.  Get up and do something.’ 

But London will not be the same.  Not by a long chalk.

(Burke comes in and Reynolds returns.)

BURKE      Boswell!  I thought you were in Scotland!

BOSWELL The news you all sent was so bad!  I came back early.  Ha! Not early enough!

(Bennet Langton arrives hurriedly.)

LANGTON Yes, I’ve heard.  I’ve heard.  It’s amazing how some people like to give bad news.  That’s his light?  I remember coming here with Beauclerk one night.  It was one o’clock in the morning.  We shouted up at that window, just where the light is, and he appeared, a nightcap on his head and a poker in his hand.  ‘What is it you, you dogs!’ he shouted.  We spent the rest of the night waking up half of London. But that is all past.

BOSWELL Who can we look to now that Johnson’s gone?  Go to the next man.  There is none.  No one can be said to put you in mind of Johnson.

BURKE      Well, there’s no point in catching cold here.  Come on, Sir Joshua.  Let’s all go to the Mitre.  Come on, Langton.  A December evening is not the best time to be standing around in the street.  And there is a bitter wind at this corner.  December 13th.  Boswell, come on.

BOSWELL No, I think I’ll take a turn in the streets a while. And then I have a book to write.  There is no excuse now for not getting on with it.  There is nothing else to put in now, nothing else to add.  I will see you all tomorrow.  I have work to do.

(Burke, Reynolds and Langton all leave and slowly set off towards the Mitre.)

Yes, I have a book to write.  I’ll work at it every day, just as you did on the Dictionary.  I think I will do justice to you, Sir.  I’ll do my best.  I’ll do justice to you.

(In the upstairs window the light is still burning.)

Keep burning there!  Keep burning!

(He slowly walks away.)

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